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Audirvāna Studio (Mac) - Download - 2012年07月10日
Uploaded on Downloaded 2 times, size 1. AudioSwitcher for Mac v3. AudioSwitcher for Mac 3. With compact size and light weight, the audio switcher is portable. Made of full metal material, exquisite and durable to use.. Dialer Lock-AppHider. Mes Comptes - LCL. My inwi. Lesser AudioSwitch.. By Hong Sy 0. Audio Switcher. Download Mac AudioSwitcher 3. Specifying the Audio Switcher Type. Associating Cameras with Audio Outputs.
Using IP Audio Devices. One of the app's strong points is that it allows you to access songs from multiple streaming services Apple Music, Tidal, Qobuz, HRA , as well as local files, podcasts, and radio stations, making it much easier to keep everything organized. You can combine local tracks and music from streaming services into a single playlist, and these playlists are very easy to manage.
The app also comes with a powerful metadata editor that lets you add missing data and keep everything updated. Its exclusive core player bypasses the audio mixer and makes sure your music reaches the output device without any alterations. For more abstract sound sculpting, a ring modulator is provided.
The waiting is over, the time is now, and the highly anticipated release of Amarra 4 is here! This equalizer allows you to sculpt and shape your tones in unheard of ways to create something truly unique! Focusing on delivering the flavor of analog without the noise, FreakQ does not model any specific piece of analog hardware. DATE : The GUI is intuitive and easy to use.
It produces the raw sound you know from analogue devices without any effects. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. An arpeggiator with different sync modes and hold function is also included.
A very fast envelope with a smooth roll-off, emulated inaccuracy and a very smooth filter sound gives this synth the typical sound. The SA is never boring, but it lacks the intensity and vitality of some of the better, more expensive machines.
Conclusion The SA is one of those unerringly capable designs that gets on with the job in a most agreeable way. Our review sample comes with the DAC built-in, but the cheaper version simply has a digital output, making it ideal for those that already have a digital converter or DAC- equipped CD player.
Being a Krell it is compulsory for it to look big and bold, and so it does. The central section sports a long LED light that glows red or blue depending on the mode - standby or operating. To the right is a small x pixel, 90mm diameter backlit LCD screen. The synth bass line modulates up and down with heady aplomb, sounding wonderfully untroubled by what is going on further up the frequency scale.
Treble is svelte and smooth too, and timed beautifully - the Krell manages to bring all of the music together in a believable, coherent and organic way. For example. Indeed, the way the Connect allows all the elements to play along with one another is a joy to behold - it manages the deftest of party tricks of enthralling yet never tiring the listener.
This means that unlike some rivals, which seem to have been voiced in one way or another, it works uniformly well across a wide range of source material. Conclusion We have tried many different machines at this price point and the Connect can hold its own. You could even treat yourself UK offer only. Gift subscriptions will begin with the first available issue of and personal subscriptions with the next available issue when order is placed. Your details will be processed in full accordance with all relevant UK and EU data protection legislation.
Although we will strive to supply this card prior to December 25th we cannot guarantee this for any orders placed after December 5th We discover the mu-so works best a good way from rear or side walls, where it can breathe properly.
The bass never booms, but is nicest about 50cm out into free air, with the unit firing in the direction of the listener roughly at ear level. Its front speaker baffle is small, yet the scale of the music completely belies this. Its ability to reproduce the middle and upper notes of the bassline is excellent, though, as well as conveying the keyboard work in a crisp, undiluted way.
It streams music from network- attached storage, smartphones, tablets, USB sticks and ye olde MP3 players, and can work as a standalone system or part of a multi-room setup. It plays internet radio and works with Spotify Connect. It lets you follow the flow of the music, listen into the mix and enjoy things just as you should. It goes loud and retains a sense of rhythmic integrity and dynamic ease that seems to defy the laws of physics.
The treble surprises here too, giving a spacious feel and marking out the recorded acoustic well in spatial terms. The funky and more complex grooves of this track really lets the Primare show how effortlessly natural sounding it is. The music is full of atmosphere that seems to bring to life the energy of the recording.
Its dedicated app is one of the easiest and most intuitive, making the Primare a breeze to get to grips with. When the strings kick in, the R7 reveals its subwoofer is no shrinking violet and its out-of-the-box setting requires a smidgen of attenuation in order to eliminate reverb and optimise the bedrock for the building blocks of the higher frequencies. The higher frequencies of the wailing synth and flute are pin sharp and blend wonderfully with the midrange of the acoustic guitar.
At least it automatically skips unplayable tracks in a playlist. His vocals are deep and beautifully rounded, gliding effortlessly in harmony with the tinkling piano and percussion. Conclusion No audiophiles are going to chuck out their hi-fi separates system in order to accommodate it, but the R7 radiogram reboot is a great deal more than simply an attempt to cash in on the current vogue for retro-looking systems.
Things got difficult back in the late nineties, when MP3 files began to replace CD. The company's instinct had always been to maintain control of the entire music recording and replay chain, from record company to format to player.
But for once, Sony was caught on the hop. Now though, Sony is back with a subtle but clever evolution of the digital music player. First announced at IFA in , the HAP-Sl high- resolution music player sets out to give easy access to high-quality digital music in a sleek, one-box package. It has a GB hard drive built in, and so forms the heart of a large music library - and importantly it has clever new software that lets you transfer your music library from your Mac or PC with ease.
We have already seen a slew of such devices appear on the market. In fact, the closest thing in existence to the HAP-Sl is the Brennan JB7, which is an altogether less audiophile proposition, as we shall see. Sony is serious about its new one-box system, having resisted the temptation to use cheap, low current consumption, high power Class D power output modules.
Instead, it has stuck with Class AB operation on sound quality grounds. Its power amp is of dual mono construction, and is said to have extended bandwidth to exploit hi-res audio sources, up to lOOkHz. This sits on eccentric insulators, made from specially chosen rubber. The HAP-Sl sports a low-loss El ferrite core power transformer, and careful attention has been paid to earthing, with a single ground point and high-strength epoxy glass circuitboards said to be twice the thickness of rivals.
Trick power supply capacitors are fitted, selected for sound quality, the company says, as are carbon resistors. Special signal switching relays are fitted in lieu of semiconductor switches. Overall quality of construction is excellent considering the price. Usefully, it does this in the background, so we are able to play music from the hard drive, or any other source while it dutifully downloads our many files. Our only observation would be that it would be great to be able to record directly from an analogue source, so that you can archive your LPs or tapes too.
But you can, of course, record LPs on your computer, which the Sony will automatically copy then play. Sony products are always models of ergonomic excellence, and the HAP-Sl is no exception.
In truth, though, it does not do precisely this - rather, it guesstimates what should be in the upper part of the audio band, and also what was in the tail end of the waveform that was chopped off by the MP3 or AAC compression algorithm, and adds it to the music file. A nice feature to have, but ideally audiophiles should stick with the original hi-res music files rather than trying to magic them better via a clever DSP!
Auditioning starts via its analogue and digital line inputs, to gauge the amplifier section. The digital input is better, with a cleaner and more open sound, one that is very enjoyable in its way. It proves to be fun with a big-hearted, animated sort of character, and gets on with the job in a satisfying manner. The HAP-Sl also features a built-in internet radio tuner, using vTuner, and this works well, despite the depressingly low bit-rates used by the broadcasters.
With hi-res files it makes a very nice noise then, but you are always aware of a slightly opaque midband, and a sense of the music being processed. Switched on, it really does improve things, adding some air and space to the hi-hat cymbal work; the bass sequencing is more distinct and tuneful, and the lead synthesiser line carrying the melody has better resolved leading edges.
There is a great sense of space, a nice natural swing to the rhythms and a lovely lustre to the trumpets. The Sony also manages to summon up a decent sense of the depth of the recorded acoustic - which we know to be a very capacious thing.
This is fair enough though, considering the relatively low price of the unit, and all in all it is a solid performer. Conclusion Five years or so ago, the brave new world of computer audio grew up into hi-fi separates with hard-disk drives inside. Products from companies like Brennan, Cambridge Audio and Yamaha offered instant playback of computer files from standalone boxes.
Then streamers appeared, and the whole industry began to rally around this model. It works rather like a 21st century CD jukebox, offering instant music, and plenty of it - but it seamlessly integrates with your computer and its music library via your home network.
The Sony HAP-Sl is a special product then, offering an impressively easy and pleasant user experience, allied to excellent build and finish, flexibility and decent sonics. Direct Debits from the account detailed in this instruction subject to the safeguards assured by the Direct Debit Guarantee. Reference Number official use only Please note that banks and building societies may not accept Direct Debit instructions from some types of account.
Hi-Fi Choice is your essential guide to getting the best possible sound from your hi-fi, whether you're buying or tweaking. With a wide range of features and equipment reviews, including our Group Tests, it provides unbiased reviews on products with real-world prices. Whether you're looking for more affordable accessories, have a hi-fi query you need answering or reviews of the latest music, it's the ideal gift for hi-fi enthusiasts.
Please see www. Quote ref: X www. Calls from mobiles usually cost more. In other words, the miniBlink is unashamedly a mass market, consumer audio product. And why not? This shows that the company has been fast to recognise the potential of a brave new audio world where mobile phones and tablets are now our music sources.
So the miniBlink is squarely aimed at a younger demographic, and maybe their more hip, groovy and swinging parents too - but certainly not at folk who have concerns that aptX may not be a sufficiently high-fidelity medium to transmit digital audio over.
All the miniBlink has to be is small, cute and ultra easy to use - and it is. Indeed, Arcam intimates that this is how it sees many miniBlink customers using it, flitting between friends and family music systems for the few years we have before everything on sale gets Bluetooth connectivity built in. This done, it will light up a lovely shade of violet. The whole process is done and dusted in just under a minute.
Although adequate, the miniBlink would surely sound significantly better with either or both of these upgraded. Standard Bluetooth sounds gruesome, but this special wireless protocol that piggy-backs onto it offers decent sonics.
In this respect, vinyl LPs do better. Sure, they have a multitude of other problems, but always seem to time more convincingly when played on a decent turntable. Watts thinks this is a serious flaw, and the lower resolution the digital signal is ie CD compared to hi-res , the more acute the problem becomes. He also researched pyschoacoustics, and this has stood him in great stead for what he is doing now. And the unique design of the Hugo DAC addresses precisely this failing.
This is done using a huge Xilinx Field Programmable Gate Array, rather than off-the-shelf chips from existing manufacturers. For this reason, the Hugo should sound different to every other DAC around.
It consumes just 0. This has made the idea of an ultra high-quality portable, battery powered DAC possible - and Chord ran with it. The Hugo can be used everywhere. It also has a very high-quality digital volume control and the choice to run the Hugo as a line-level device like a normal DAC. The Hugo goes further still, and the difference is centred around the way the music flows. You become far less interested in the hi-fi aspects of the performance, and drawn like a moth to a flame, right into the song.
It pulls this trick off again and again. It is impressive in hi-fi terms too; bass is powerful yet wonderfully supple, bouncing up and down like a giant rubber ball. The midband is startlingly open and detailed, and soundstaging is sublime.
Treble is on another level too. And running the gamut of hi-res options the Hugo offers, things get better. Conclusion In the Hugo, Chord Electronics has made one of the finest digital converters in the world - and it just happens to be portable.
It works brilliantly as a fixed-level output DAC, but has an excellent digital volume control that can drive a power amplifier with ease, and is also great powering a good set of headphones.
This is a landmark product because it makes all flavours of digital sound so nice to listen to. This gives a welcome element of visual flair to an otherwise quite utilitarian device. One pair of optical and one pair of coaxial digital inputs. Power is supplied by a very modest-looking wall-wart type switched mode unit. Sound quality This proves something of an enigma as in many ways, on some music, the listening panel rates it as an exceptional performer, yet on other music it seems to fall off the scale and sound nowhere near as convincing.
It also divides opinion, as one of the three consistently marks it down a bit, while the other two rave about it. The D has a characteristically NAD sound, which is to say it has an apparently quite dark and velvety sort of tonality with a little bit of upper mid edge for good measure. Another agrees that it is great for attack transients, sounding very fast and expressive, adding that it makes a compelling case for itself musically.
He admits it times well on guitar tracks, but suggests that this could be down to it being a touch mid-forward. Even bil; CDs have only about half of the audio spectrum that the master recording holds and that's a whole lot more than MP3s have left in them.
With more than a decade of compressed audio piping through earbud headphones and cheap dock players, the time has come. The portable players we all love have created a new way of listening to music, but there hasn't really been much there to hear. Until now. Enter true bit HD digital audio. Mu-so is the stageyour music deserves, bringing you closer to the songs that inspire your life. When connected to your home network, you can also enjoy a wide variety of online music services remotely.
Incredible value and peerless sound quality from Bluetooth. With a minimalist design, the C turntable offers accurate reproduction by using performance-focused parts and components that put music first. Includes four analogue line-level inputs and a phono input. Includes asynchronous USB and a direct iPod input to optimise sound quality. In fact, all digital sources will get a boost when the D 1 takes over for the inferior digital circuitry found in everything from Blu-ray DVD and CD players, to music streamers and set-top boxes.
The M51 will truly transform any system. Just add speakers and you sound, and more life to iPod and iPhone music libraries via are ready for an incredible Hi-Resolution Audio experience. The Silver 6 is an outstanding communicator of music and film audio. It creates a precise sound stage and profound bass performance from its compact cabinet. The result simply sounds and looks beautiful.
Rarely the case in such a compact design, the LS50 monitor delivers a rich, multi- dimensional 'soundstage experience' that is out of all proportion to its size. The deceptively small Imagine Mini makes a big impact on an already impressive range of award- winning speakers. Q ACOUSTICS This award-winning bookshelf speaker exudes quality, delivering extended bass, an open mid-range, astonishing transient response and exceptional high frequency clarity.
One year of music included. There is a free app to control them from your iOS or Android phone or tablet. You can enjoy your favourite streaming music services, internet radio or your own music collection and set-up is a breeze.
Website Visit our website for a stream- lined on-line experience with an outstanding product selection plus the latest product news and store infomation. The sound is clean, but not in a sterile way. Rather, it is smooth, spacious and well textured, and this is completely unexpected given its very modest price.
VAD says these have been selected for reliability and robustness. The triode valve analogue output stage operates in pure Class A, and modern tube best practice is followed with good new old stock valves specified, short signal paths and point-to-point silver wiring.
It comes over as a simple conduit for the music, letting it blossom and flow. Sometimes high-resolution files can disappoint, sounding more impressive from a hi-fi perspective, but not necessarily more musical - but not here.
Bass is amazing enough via bit, but at higher resolutions it is breathtaking. Indeed, so open, even and effortlessly musical is the DAG , that we have to scrabble around for things to say about it. The only obvious flag it flies is that it is a tube design.
Having said that, the DAG- 10 is an auspicious debut. Although principally designed to drive a decent pair of headphones, it has a pair of RCA phono and balanced XLR outputs.
It has a striking appearance that is both elegant and stylish perched on top of three spiked feet for support, and comes with matching spike shoes to protect surfaces from damage. An audio driver for both Windows and Mac operating systems downloadable from the Korg website is required in order to support this mode and the higher sampling rates of audio.
In the centre of the panel is a good-quality rotary control for adjusting the volume of the headphone output. The AudioGate software is different from other proprietary playback software in that it undertakes much of the digital-to-analogue processing itself, rather than using the hardware. Although the audio quality in conventional USB DACs is better than using the built-in DAC of the computer as it is more sophisticated, the processing is nevertheless done within the DAC hardware and so the audio quality cannot be controlled.
By developing both the hardware and the application, Korg considers that it is able to ensure comprehensive audio quality, even on up-converted file formats. Sound quality The AudioGate user interface is easy to use and has a wealth of information displayed about the audio file being played. Conclusion All in all, the sound quality delivered by the Korg impresses, especially when playing higher-resolution files.
Sound quality This little speaker sounds nothing like your average standmounter. Nor does it thump out large amounts of bass, or indeed go loud in an easy and lazy way.
Rather, the ATC brings its own unique skill set to the party, and few others can match it. Not having a big cabinet thrumming away unlocks a whole world of detail propulsive, expressive and unerringly musical. More than most it gives you the sense that music is foremost an emotional experience. Bass fans will love its tunefulness, but miss hearing the bottom octave of their favourite songs. At the same time, the ATC really showcases dynamic accents, and together this makes for a seat-of-the-pants listen.
Even with a light bass, jazz sounds gloriously propulsive, the listener getting their rhythm cues elsewhere. To continue that tradition, Marantz continuously updates its stereo collection. The result is a totally sublime combination that not only creates spectacular, earth-moving audio balanced with delicate minute detail but also includes on-board USB-DAC functionality for extreme versatility.
The acoustic price you pay for this is reduced sensitivity and extension, but this is a trade off that ATC prefers, and power is relatively inexpensive these days. Immediate, upbeat and highly entertaining in a youthful, spirited way.
The SCM19 is a rather more mature loudspeaker, it has a much more pro audio sound inasmuch as it is very low on character and revealing in a calm, restrained manner. It takes a while to appreciate just how much it lets through because colouration is so low. This is a very good thing for the music because you hear more of what the artist intended and what they heard in the control room at the studio.
This is the true advantage of a monitor, in a world where there is no absolute sound - we rarely listen to purist audiophile recordings that attempt to capture a totally natural sound - the best we can aim for is the sound that was conjured up in the studio, a sound that was arrived at with studio monitors. And given the amount of studios that use ATCs you have a good chance of emulating that with its domestic loudspeakers. This ATC has superb bass, it goes low but is tight and fully textured.
When partnered with a decent amplifier it stops and starts with total precision. So when a pianist uses a damping pedal you know exactly how he or she is doing it.
Overhang is not in evidence yet serious low end is, you can get quick bass by avoiding deep notes, but that is not the case here. You can hear way down into the mix and appreciate the subtlety of playing from every member of the band, this in the context of very open vocals but quite dark instruments. Piano really shows what this speaker can do. We get totally carried away with Haydn and Beethoven pieces that usually fail to keep us interested.
Transparency is what you want in both locales, the engineer might be listening for something different to the music lover, but they both want to hear as much as possible. In that respect this is a killer product. The H80 is the real deal. This may be the best value for the money I have reviewed in my carreer.
But more than just sounding great, they're also effortlessly simple to use and come in a design that anyone would be proud to put at the centre of their music system. The K3 Integrated Amplifier has been built with today's discerning audiophile in mind. There is power and bass drive in abundance, with superb sound staging and engaging detail that is both refined and enjoyable. The K3 CD Player is a high-quality source component that delivers a rich, almost analogue, sound performance that perfectly matches the Integrated Amplifier's delivery.
When using these products together, you have a package that is truly unrivalled for the price. Distributed by Henley Designs Ltd. Crossover point is 2. The cabinet is really beautifully done too, with a stunning piano black lacquer and superb detailing - this loudspeaker looks far more expensive than it actually is. The front baffle is curved and made from a special polyester resin combined with glass fibre and calcium carbonate.
The rear panel, meanwhile, sports luxurious single-wire terminals and a decidedly unconventional-looking bass reflex port. It feels solid when you rap it with your knuckles, and is quite heavy given its relatively diminutive dimensions. KEF claims a sensitivity of 85dB, which is about middling for a box of this size.
Sound quality The LS50 is a larger than life loudspeaker, throwing voices and instruments wide into the listening room, giving that uncanny feeling of the sound hovering out into the space, completely detached from the speakers. Soundstaging is superb. The treble is really good for a speaker of this type.
It has an even, uniform tonal balance. This gives the speaker real clarity, and also makes for a rhythmically satisfying feel. Music bounces along with heady abandon, and so do you! Monitor Audio has gone for a mm driver, which makes the speaker wider. Both units are rigidly bolted to the cabinet, and split two ways via a crossover with polypropylene film capacitors and silver-plated OFC wiring.
The notes from the bass synthesiser start and stop extremely clearly, giving a powerful and pulsating feel. The midband sounds clean and detailed, the Silver Is throwing out lots of information from the innards of the mix. As well as giving a tighter, tauter bass than you might expect from a budget speaker, the other benefit of being small is the stereo imaging. The sound comes from something close to a single-point source, letting it fire out into the room coherently to paint big, bold, three-dimensional stereo images.
The recorded acoustic sounds positively cavernous, in all three dimensions. Happily, this small box proves better than most. This is likely down to the larger drive unit, plus the very rigid cabinet. Ultimately at high levels there is a slight softening of dynamic peaks, but it is far less intrusive than some other similarly priced rivals. It has a wide soundstage, and it drops back way behind rear wall.
Its surprising clarity and transparency gives a clear window on the musical world without sounding bright or forward. Conclusion Overall this is a super little box and the beautiful finishes merely add extra icing to the cake.
It confers real benefits; larger drivers tend to have more in reserve, sounding more effortless and promising higher efficiency if implemented correctly.
Audirvana plus 3.5 tnt free. Audirvana 3.5.44 Latest Version Full FREE Download
However, the text displayed in some menus and the app's preferences can be very difficult to read, especially on smaller screens. It can be used as a simple unobtrusive controller, but it can also display the track's frequency response, waveform, and audio processing stages. You also have the option of controlling playback remotely via the iOS and Android apps, which is nice if you aren't always glued to your desk when listening to music.
AudioSwitcher for Mac 3. With compact size and light weight, the audio switcher is portable. Made of full metal material, exquisite and durable to use.. Dialer Lock-AppHider.
Mes Comptes - LCL. My inwi. Lesser AudioSwitch.. By Hong Sy 0. Audio Switcher. Download Mac AudioSwitcher 3. Specifying the Audio Switcher Type. Associating Cameras with Audio Outputs. Using IP Audio Devices. The users can easily add tracks to the application and provide support for adding various audio plugins to the application. This powerful application can work as a standalone environment as well as work in collaboration with iTunes. All in a nutshell, it is a reliable environment for playing audio tracks and provides support for viewing and editing the meta description of the tracks.
You can also download Mac Blu-ray Player 3. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Audirvana Plus for Mac 3. Features of Audirvana Plus for Mac Powerful audio player Sleeker user interface Support for all the popular media formats Work with Audio Unit Plugins Importing iTunes music library Scan specific folder for adding music Editing the meta description of the tracks Creating smart playlists Work with iTunes integrated mode Create new playlists and specify the folders Visualize and edit the tracks information Many other powerful options and features Technical Details of Audirvana Plus 3.
Previous JixiPix Premium Pack 1. None of this is lost in the Concept 40, but you get a wealth of extra musical insight, which takes it way beyond the i. The sound seems far faster, more open and yet more subtle too, and the spaces in-between the musical notes seem to drop back to vanishingly low levels. When the lead vocal kicks in, it has a wonderfully silken sound. The song seems to have a real trajectory, instead of ambling around lazily.
Feed the Concept 40 some punchier rock, and it shows itself in an even better light. Through lesser loudspeakers it can sound congested, but the new Qs are wonderfully clean and open, throwing the sound out as if they have dissolved out of the room, retaining only a ghostly vestigial presence. Bass is surprisingly strong and pleasingly even too - devoid of any false bass peaks.
Notes stop and start quickly and are played tunefully. Treble is good too, the crashing cymbal work sounding decently metallic, but not grating. It is amazingly well rounded, having practically no obvious weaknesses, and a whole lot of strengths.
Right across the range - from detail and dynamics to tonal balance and musicality, it scores very highly indeed. Most of all what we like about it is its naturalness. These are said to improve low-level linearity and mechanical stability. To go with this is a re-engineered crossover, devoid of series-attenuating resistors to minimise thermal modulation distortion.
It also gets precision- wound high-linearity tapped inductors. It knows how and when not to interfere, where less sophisticated, more impetuous rivals fall over themselves to demonstrate their punchy bass or laser-etched treble. Even at high levels, there is no huffing, puffing or chuffing, and the low frequencies remain tight and supple. The result is a lovely, lilting musicality with just a tiny bit of softness and looseness, which any ported speaker gives.
The midrange performance is lovely. Behind this, a wonderfully fluid groove gets going courtesy of great drum kit work; despite not throwing everything at you on a plate, it proves to be highly rhythmically adept.
Conclusion It is very good at soundstaging too; it just seems to be able to throw out excellent stereo with precious little setting up or fine tuning. Ignore this one at your peril " What Hi-Fi? Sound and Vision. It's a beautifully styled product which we confidently believe provides a level of sonic performance previously thought impossible at its price point.
To achieve this extraordinary result, Q Acoustics' design team applied advanced technology to address the fundamental problem of cabinet resonance; widely recognised as the single biggest hurdle preventing 'high end' sonic performance at an 'affordable' price.
The 'Concept 20' proves cabinet resonance need be a problem no longer. This substantially reduces distortion and allows the individual drive units to deliver their optimal performance.
The mm midrange driver uses a composite former eddy current-free voice coil, and the cone sports a blend of traditional cellulose pulp, kapok, kenaf and other natural fibres, and is said to give the most natural sound.
The woofer is a mm affair with a sandwich cone membrane that combines a heart of hi-tech rigid syntactic foam with external layers treated with cellulose pulp. Sound quality The II is a nice size. In a largish but not huge listening room, it sits perfectly. The high frequency performance is good, and pretty much up to par with the rest of the speaker.
At this price you might crave the smoothness and delicacy of an Apogee ribbon or a good electrostatic panel like a MartinLogan. But those speakers can have their own issues and fall behind the Olympica II in the bass, for example.
Big three- ways often struggle when it comes to timing, but happily, it works well, with a decently taut and grippy sound that never smudges or blurs leading edges. To further aid placement, there are room position EQ settings and switches for adjusting bass response for near wall, corner or neutral placement.
Sound quality Dynaudio seems to have engineered these speakers to not let their demure proportions stop them from getting the most out of the music. The Dyns handle the mix admirably, and take it all in their stride. Each instrument sounds highly animated as the speakers strut their funky stuff and you have a real sense of the three musicians being completely in tune with one another. With this track you also get the sense that Dynaudio has paid close attention to how the bass is projected at the listener, to prevent the lower frequencies from ambling around at the back of the soundstage.
Instead the speakers ensure the bass can envelop the soundstage, reaching the listener in a focussed manner without sounding too forward. The New Discovery Range from IsoTek delivers highly effective yet eminently affordable solutions to enhance sound and picture quality, whilst also protecting your valuable equipment from power surges and voltage spikes A distinct cleaning up of the sound A cotton filler is used to give the cable internal strength and reduce microphony whilst maintaining dielectric performance.
The cable is terminated with high-quality 24ct gold connectors, designed and manufactured by IsoTek rather than bought off the shelf. No similarly priced power cable is constructed to such a high specification, with correspondingly impressive benefits to sound and picture quality. I soundfoiundQtions. Every visitor to your home is likely to marvel at the Astute when they are silent, and even more so when they make dynamic music". As a leading design company that wins many awards and helps countless clients achieve outstanding results, we have observed that loudspeakers are often the most difficult aspect of a system to get right.
Our new and innovative approach yields stunning results. A genuine advance over the limitations of current designs, you 11 find our analysis both enlightening and revolutionary. This is embodied in the Astute speaker which has proved to be great sounding, attractive and superbly versatile. Read more on website address below. The TD-Ml represents an attempt to marry this technology with a degree of convenience that should broaden the appeal to new customers.
The choice of inputs is useful too. These connections are decoded via a Wolfson WM DAG, which has been adapted to work both in conventional upsampling mode, but also in a custom non- oversampling mode. Other than an absence of Bluetooth, the Eclipse is well set up as a desktop audio device. Sound quality From the outset, the single most important point about the performance of the Eclipse is that the single driver experience the brand is renowned for is completely intact in the TD-Ml. The whole purpose behind the Time Domain principle is to create a speaker better able to follow the variation and nuance of a piece of music and this means that the TD-Ml delivers a performance that is at times almost supernaturally fast.
Almost everything else at the price sounds processed and compromised in comparison. The other trump card is the cohesion across the bulk of the audible frequency range. The non-oversampling mode is more than a gimmick too. With acoustic material and compressed files it fills the performance slightly and makes it fractionally warmer and smoother. The ease of adjusting between the two modes makes experimenting simple and will allow you to choose to suit your taste.
Conclusion The more you listen to the TD-Ml, the more the presentation can often be likened to listening to a decent pair of open-backed headphones. The music arrives at the ear with little sense of the enclosure and with a definite soundstage provided that you are within the very sweet spot that the Eclipse produces.
If you are outside this sweet spot, the stereo presentation declines, which further emphasises how the TD-Ml is used to best effect. The wonderful speed, tonality and integration is retained, but each speaker becomes an individual unit rather than a stereo pair. The latter is the central control unit to which a wide variety of sources and output signals can be connected.
The amplifiers used inside are Class AB. This is something that most certainly does not afQict the Air-X All of which means that you get a very smooth, delicate, detailed sound that you would never call boring. In short, the Air-X version comes very close to offering the best of both worlds. Furthermore - and this is possibly at least in part due to its active operation - there is no sense of the music being squeezed through a toothpaste tube, as is sometimes the case with small speakers.
The stock BS is rather inefficient, and needs a powerful transistor amplifier to give of its best, but here in active mode it is relaxed, expansive and surprisingly easy. Next we feed it something a little more intense. This is a slightly forward sounding album, even the LP version is a little bright, but the Air-X keeps a good balance. Bass is punchy - if not terribly extended, the midband clean and spacious and the treble smooth and wonderfully sophisticated.
Indeed, the excellent recording quality of this Supertramp song illustrates just how sweet sounding the tweeter is. The active speakers are better still when fed direct, bypassing wireless. There is a subtle improvement in grip and low-level detail, with a slight deepening of the soundstage.
Includes free acrylic platter with Bordeaux and Midnight Blue finishes. This new model employs a brand new carbon fibre tonearm with an Evolution-inspired support structure. The superior motor, with isolation blobs designed by Ortofon, drives a high-quality platter that can be fitted with either a Cork or Felt mat. Looking over the neat styling and flexible design it is easy to appreciate where your money is being spent.
The cabinet is constructed from marine ply for better rigidity and superior bracing, and the solid billeted piece of aluminium on the top face is said to aid the dispersion of unwanted energy from the cabinet. Available in gloss piano black and white lacquer finishes, removing the front panel grilles reveals the front-firing mm long-throw paper mache driver that is reinforced with a super alloy plate for greater rigidity. Underneath is a mm carbon fibre passive driver, and even the shape and height of the feet are designed to optimise performance.
Sound quality Positioning the S2 correctly in the room is without doubt the most important thing to get right. For optimum performance in the listening room we find it works at its best positioned in the corner, placed in fairly close proximity to a pair of Dynaudio X38 floorstanding loudspeakers, and angled so that it fires diagonally down the length of the room.
REL explains that because of the nature of the driver material it uses, it is necessary to spend some time running the unit in before it reaches optimum performance levels. The addition of the S2 into our system is a revelation, and instantly results in more drive and energy to the lowest register.
Nowhere is the inclusion of the REL more effective than with hi-res material. Conclusion The REL S2 merges beautifully into our system, adding a greater sense of scale and depth to tracks.
With some fine tuning, it is unobtrusive and impresses anyone that listens with its pace and insightfulness on recordings old and new. Concepts including customising settings via an onboard SD card and online configurator, along with firmware releases ensuring your amp stayed up to date brought fresh thinking to long-term ownership. The bass driver also sports a snug-fitting removable circular fabric cover. In the flesh this is one cool combo to behold providing you can keep Even at low levels this system opens the music up with stirring dynamism fingerprints at bay.
You can even wall mount it vertically! Nor do you get the internal phono daughter board that caters for custom matching cartridge loading and sensitivity settings. Bass in particular is blessed with enough power and slam to challenge our preconceptions of just how much air a pair or mm drivers in such a modest cabinet can move, which is testament to what the Devialet amp is able to get out of them without heading into boom territory. Instead, because the soundstage is so open, we are able to hear deep into its recesses and uncover layers of detail at will.
The company has form as a purveyor of no-frills hi-fi equipment for a small amount of money The A is a relatively substantial product considering what it costs - although it does have a slightly flimsy pressed steel top plate. The front fascia is a lovely chunk of brushed aluminium, way nicer than the company was offering just a few years ago.
It offers six inputs including USB digital. Separate transformer taps for left and right channels are provided, as are twin rectifiers and separate rails for the left and right power amplifier sections - these feature proven Sanken output transistors running in Class AB mode. Sound quality Off to a good start, fundamentally, this amplifier just sounds right. It powers the song along in an enjoyable and unselfconscious way, and blends well into an open and textured midband.
This then pushes up to a decently airy and smooth treble, the result being a budget amplifier that sounds anything but. At the same time, texturally the Cambridge Audio is excellent. Again, it sounds far more tonally natural than its price would suggest.
It makes rivals sound rather misty, foggy, opaque or processed. The 65 lA also goes surprisingly loud very confidently too, keeping its spacious soundstage, decent depth perspective and positive stereo imaging right up to high levels.
Conclusion The USB input is surprisingly decent, but is still aimed at upgrading the terrible DACs found inside computers rather than standing in for serious dedicated hi-fi designs. Please call or see our website for full details of this great offer. Simply - a better deck for less!!! Silver-plated copper internal wiring all hand wired, point to point is used, along with a Japanese-sourced ALPS volume control. As well as the four Psvane valves, two 6SL7 first stage valves and two 6SN7 output driver valves are used, along with a GZ34 driver stage rectifier.
Instead it is fast and lithe, but still has a vast thump down south, seeming like the audio equivalent of a JCB. Everything gets a nice, rosy glow, meaning that recordings that were previously viewed as a little acerbic suddenly seem to calm down and chill out. Things hang back a little, yet it is so expansive that you still feel quite immersed in the proceedings. Highway 61 Revisited is a lot less strident than normal. The treble is lovely. Suddenly, cymbals played through even a top quality Glass A solid-stater like the Musical Fidelity AMS35i seem a bit steely and scratchy.
The Icon Audio has an easy sound - rather like a large Harley Davidson motorcycle, it just never seems to break into a sweat. No matter how complex the music gets, it just shrugs it off and keeps playing. Conclusion Even at high volumes, the Stereo displays grace under pressure in practically any living room. We offer some of the finest music reproduction systems avaiiabie on the market today, from entry ievei to eiite brands. Our range of products has been carefuiiy chosen to ensure exceptionai performance, reiiabiiity and vaiue for money.
With a wealth of expert knowledge and a range of isolators, cables, acoustic panels, equipment racks and advanced grounding systems that can enhance the quality system you already own, often without buying expensive new equipment.
Contact the Hi-Fi Doctor for a no obligation consultation Call or email: doctor studioav. Looking inside the MyAmp, the cynic in us had expected to see a few nondescript Class D modules. But, surprisingly, the company has gone the Class AB power amplifier way. Via any of its three analogue inputs, it remains enjoyably smooth and even, never descending into coarseness, even with thin sounding and forward source material such as Gangsters by The Specials.
This track proves great fun, with a bouncy and supple bass, a clear and detailed midband and a crisp, lustrous treble. This track is beautifully recorded and has some delicious silky string sounds running right through, which the MyAmp handles very respectfully.
Unlike lesser small budget amplifiers, it remains both smooth and composed, doing just enough to give a realistic timbre to those gorgeous sweeping strings. At the same time, it bounces along in the bass and serves up a satisfyingly spacious recorded acoustic.
J cued up - a powerful, pounding house track from the early nineties with massive tracts of thumping synth bass. It kicks out great big slabs of low frequencies, and even at high volumes remains relatively composed, showing few signs of being perturbed by what it is being asked to do. It should be able to drive any average or above average sensitivity pair of speakers; anything above 88dB should really move air in your room.
The Aurender W20 streamer is a masterpiece of user- friendliness, the streamer for people unsure about streaming! The display shows current track information. Full details of music stored on the hard drives appear on the iPad with album cover art. Music is stored on two STB hard drives but queued and played from a GB flash drive to minimise electrical noise.
For further mains isolation, free of glare and haze, power for the audio circuits is drawn from re-chargeable batteries. Spiral Groove turntables SGI. Solid construction ensures that stylus, arm pivot, platter bearing and motor remain in an absolutely fixed relationship, unlike suspended turntables that are perpetually in motion as they attempt to correct for the dynamic forces acting both internally and externally. Customers say we make some of the best sounds in our studio and at shows that they have ever heard, so you know we can do the same in your home.
Our advice takes account of your best components and guides you where change is needed, in stages you can afford. You avoid expensive mistakes, enjoy music and save money in the long run. Tuners: Magnum Dynalab.
Cables: Chord Co. Mains: Aletheia, Vertex AQ. Airstream Direct additionally allows you to stream audio from an iOS device in the absence of a wi-fi router. Old-school tethering is possible thanks to a front-mounted USB jack that offers music playback of iOS devices, but not Android ones.
You can, however, hook up the AlOO to a TV or CD deck using its digital optical input or stereo phono analogue input and can output to a powered sub. Operation comes via an app, which is rather uninspiring to look at. The amp does need at least 20 minutes to get the sonic juices flowing properly, but once fully warmed up it purrs like a Range Rover, effortlessly bounding along and taking the roughest of tracks comfortably in its stride.
Nor is it a case of clarity over warmth and energy. Results with AirPlay are no less impressive. Conclusion All in all, the AlOO is a fairly simple proposition - wireless streaming, a couple of wired inputs and a high- quality DAC and amplifier. There are no built-in third-party services such as Spotify Deezer or internet radio, and USB playback is severely limited. But streaming from other devices is a cinch when using AirPlay. While not quite as slick or reliable, DLNA compatibility at least provides access to hi-res audio downloads and rips.
The styling of the whole range is tastefully retro, but the grey paint job gives it a harder, more purposeful edge. It feels a real quality item; the slightly vague and cheap feeling volume knob lets it down a bit, but this aside it comes across as quite solid with some nice, crisp-acting switchgear.
Sound quality Via its analogue line inputs the Quad sounds clean, crisp and musical. Despite not using the same circuitry as more traditional, larger and more expensive Quad amplifiers there is still a lot of the house sound to be A civilised but animated performer that really gets the speakers bouncing heard.
Tonally the Quad is pretty even and neutral; never warm yet not hard, it sits in a well-judged position in the middle. The rhythms shuffle along with real conviction, and we enjoy its musical gait. Dynamics are decent too, and the Vena puts its power out in a positive way with no obvious sense of strain. Conclusion The two-dimensional feel it gives to the stereo mix is perhaps its biggest weakness, but few amplifiers at this price point do better.
The product was superb, the company new and the future full of promise. What followed was a range of loudspeakers and then electronics. Some manufacturers suffer from vanity and over reach themselves producing a wide product range when they had previously specialised in one particular area - but Roksan did not make that mistake.
Unusually, all its designs were done to a very high standard. TNT 13 March It is a revolutionary tool for those who want to get better at playing the music they love. Capo will automatically detect and display the chords in your songs, allow you to transcribe notes, slow down your music without affecting its pitch and much more!
With its easy-to-use, award winning interface and sophisticated technology, no longer will you look through your favourite bands music wondering what you can learn but rather what you want to learn next. AU MAC - Carefully designed transformers and tubes.
Fully emulated mic-amp and program eq. TNT 14 March
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